Faced with early critics of the Black Madonna Tabloid series where I was told I just “look like the nanny”, Maria de Latte [M]atron Saint to Nannies and Wet Nurses was a natural progression. It considers the association of the Black/Brown woman’s body with domestic servitude (especially in a South African context where this work was produced). By comparing the Virgin Mary - the first “surrogate mother” if you will- to the domestic worker, I attempt to shift her position and elevate her from disposable to Divine.